Digital technologies have already changed architecture—architectural form as well as the way architecture is designed and built. But if the digital is a revolution, which tradition is being revolutionized? If it is a "paradigm shift," which architectural paradigm is shifting? In The Alphabet and the Algorithm, Mario Carpo points to one key practice of modernity: the making of identical copies. Carpo highlights two instances of identicality crucial to the shaping of modern architecture: in the fifteenth century, Leon Battista Alberti’s invention of architectural design—the humanistic idea of building as the identical replication of an author’s intentions; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds.
The modern power of the identical, Carpo argues, has come to an end with the rise of digital technologies. All that is digital is variable. In architecture, this means the end of notational limitations, of mechanical standardization, and possibly of the Albertian, authorial way of building by design. Charting the rise and fall of the paradigm of identicality, Carpo compares new forms of postindustrial, digital craftsmanship to traditional hand-making, and to the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable media, generic objects, and participatory authorship.
About the Author
Mario Carpo is Associate Professor of Architectural History in the French Schools of Architecture and Vincent Scully Visiting Professor of Architectural History at the School of Architecture of Yale University. He is the author of Architecture in the Age of Printing: Orality, Writing, Typography, and Printed Images in the History of Architectural Theory (MIT Press, 2001) and other books.
"Ever wondered what became of architecture in its digital reincarnation? Mario Carpo vaults from Renaissance aspirations to current conditions at the pace of a breathless fable. Where will it lead us?"
Kurt W. Forster, Yale School of Architecture