The Louvre, the Place Royale (now the Place des Vosges), the Place and rue Dauphine, the Pont Neuf, and the Hôpital Saint Louis were part of a building program initiated by Henri IV that would be unmatched in Paris for more than two centuries. Drawing on previously untapped notarial archives in Paris's Minutier central, Hilary Ballon provides a rich and original account of the crucial period between 1605 and 1610 when Paris was transformed from a medieval city decimated by war and neglect into a modern capital.
The textile-block system was a fascinating experiment that Frank Lloyd Wright conducted from about 1922 to 1932 as part of his quest to find a new system of construction using a standardized building material based on the idea of twentieth-century machine technology. Robert Sweeney has meticulously researched the textile block system, providing a case-by-case account of each project, commenting on Wright's clients, collaborators, and contractors, and positioning Wright's experiment firmly within the larger historical context of concrete block technology.
This detailed analysis of a large, unified body of student drawings from the first public competitions of the Accademia di San Luca, held between 1675 and 1700, brings to light a critical juncture in the Late Baroque. In Architectural Diplomacy, Gil Smith observes that at a time when building activity in Rome was greatly diminished, the Accademia became a successful laboratory of ideas where design methods, such as the productive fusing of French and Italian Baroque traditions, were tested for perhaps the first time before becoming common coin in eighteenth-century architecture.
George Edmund Street (1824-1881) was a leader of the High Victorian generation of British architects. A prolific and innovative artist, he also played an important role in the reshaping of architectural taste that occurred in England at mid century. This is the first book devoted exclusively to Street and his greatest work, the Royal Law Courts in the Strand.
The publication of Volumes 3 and 4 of the Le Corbusier Sketchbooks brings to completion a major undertaking by the Architectural History Foundation. After more than a decade of searching, the Fondation Le Corbusier found a suitable partner in publication to aid in the practical difficulties of producing the last and most elusive of Le Corbusier's unpublished works.