Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Slavoj Žižek is interested in the “parallax gap” separating two points between which no synthesis or mediation is possible, linked by an “impossible short circuit” of levels that can never meet. In this BIT, Žižek draws on Lacan, F. Scott Fitzgerald, Kant, Hegel, and Marx to explore the philosophical implications of parallax.
About the Author
Slavoj Žižek is a philosopher and cultural critic. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, and (with John Milbank) The Monstrosity of Christ: Paradox or Dialect, these four published by the MIT Press.