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Hardcover | $32.00 Short | £22.95 | ISBN: 9780262018791 | 208 pp. | 7 x 9 in | 26 b&w photos | March 2013
 

"“University Presses in Space” showcases a special sampling of the many works that university presses have published about space and space exploration."

The View from Above

The Science of Social Space

Overview

In mid-twentieth century France, the term “social space” (l’espace social)—the idea that spatial form and social life are inextricably linked—emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations.

As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography—a technique closely associated with the French colonial state and military—“the space of state control.” Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself—a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such “views” permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.

About the Author

Jeanne Haffner is a Lecturer on the History of Science at Harvard University.

Endorsements

“The sociologist Chombart de Lauwe and the aerial photograph as an ethnographic window dominate Jeanne Haffner’s very French The View from Above. Emphasizing the vue d’ensemble, Haffner offers an effective antidote to a romanticized view from below, while leading us to new insights into Lefebvre, Ledrut, and the socio-spatial dialectic.”
Edward Soja, Distinguished Professor Emeritus of Urban Planning, UCLA Luskin School of Public Affairs

“Like all the very best histories, Jeanne Haffner’s The View from Above brings unprecedented insights to bear on the here and now. By showing  how the perspective of aerial photography became absolutely central to ideas of nationalism, ethnography, human  geography, architecture, and urban planning in the second half of the twentieth century, Haffner excavates the crucial genealogies of our own societies, in which technologies like GPS, Google Maps, and  Google Earth have come to mediate every aspect of contemporary  life.”
Stephen Graham, Professor of Cities and Society, Newcastle University

The View from Above is a compelling genealogy of the emergence and evolution of the concept of ‘social space.’ Jeanne Haffner offers a fascinating—and ironic—story of how a mode of seeing most recently used to critique state power had its origins in the power of the state itself. With careful attention to the personal biographies of major figures in French social science and urban planning, this tightly focused and well-argued account casts social space and the many figures who participated in its elaboration in a new and original light.”
Jennifer S. Light, Professor of Communication Studies, History, and Sociology, and Institute for Policy Research, Northwestern University