While the public and the media have been distracted by the story of Napster, warnings about the evils of "piracy," and lawsuits by the recording and film industries, the enforcement of copyright law in the digital world has quietly shifted from regulating copying to regulating the design of technology. Lawmakers and commercial interests are pursuing what might be called a technical fix: instead of specifying what can and cannot be done legally with a copyrighted work, this new approach calls for the strategic use of encryption technologies to build standards of copyright directly into digital devices so that some uses are possible and others rendered impossible. In Wired Shut, Tarleton Gillespie examines this shift to "technical copy protection" and its profound political, economic, and cultural implications.
Gillespie reveals that the real story is not the technological controls themselves but the political, economic, and cultural arrangements being put in place to make them work. He shows that this approach to digital copyright depends on new kinds of alliances among content and technology industries, legislators, regulators, and the courts, and is changing the relationship between law and technology in the process. The film and music industries, he claims, are deploying copyright in order to funnel digital culture into increasingly commercial patterns that threaten to undermine the democratic potential of a network society.
In this broad context, Gillespie examines three recent controversies over digital copyright: the failed effort to develop copy protection for portable music players with the Strategic Digital Music Initiative (SDMI); the encryption system used in DVDs, and the film industry's legal response to the tools that challenged them; and the attempt by the FCC to mandate the "broadcast flag" copy protection system for digital television. In each, he argues that whether or not such technical constraints ever succeed, the political alignments required will profoundly shape the future of cultural expression in a digital age.
About the Author
Tarleton Gillespie is Associate Professor in the Department of Communication at Cornell University and the author of Wired Shut: Copyright and the Shape of Digital Culture (MIT Press).
"A sophisticated accounting of several key developments and the ways in which these developments have impacted our ability to use digital cultural products." , Debra Halbert, Law and Politics Book Review
"Gillespie has boldly attempted a broad and deep analysis of copyright that integrates cultural, historical, legal, social, political, and technological perspectives—and he succeeds. This is an unusual, excellent, vitally important, and urgently needed book."
—Kirsten Foot, Associate Professor in the Department of Communication, University of Washington
"Wired Shut is an important book, essential for those who care about the future of digital technologies and information flows. The societal implications of digital rights management technologies have never been explored this deeply or comprehensively. DRM technologies are neither technological nor economic imperatives, and Gillespie shows that their social costs are avoidable. Bravo!"
—Pamela Samuelson, Richard M. Sherman Distinguished Professor of Law & Information, University of California, Berkeley
"Tarleton Gillespie has produced a lucid and essential corrective to the techno-fundamentalism afflicting our discussions of culture, economics, and policy. Wired Shut is instantly one of the most important books about copyright and technology available."
—Siva Vaidhyanathan, New York University, author of The Anarchist in the Library: How the Clash between Freedom and Control is Hacking the Real World and Crashing the System
Winner, 2009 CITASA Book Award given by the Communication and Information Technologies Section of the American Sociological Association
Winner, ICA 2009 Outstanding Book Award given by the International Communication Association.