Erik Wikberg

Erik Wikberg is a Researcher at Stockholm School of Economics.

  • Economic Ekphrasis

    Economic Ekphrasis

    Goldin+Senneby and Art for Business Education

    Pierre Guillet de Monthoux and Erik Wikberg

    What happens when social scientists write about artworks: helping people blind to economic ideas see something for the first time.

    What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in business studies? This book investigates these matters by analyzing the Goldin+Senneby's retrospective exhibition Standard Length of a Miracle set up in Tensta konsthall and multiple other venues in Stockholm in the spring of 2016.

    While the use of ekphrases goes back to ancient times in our Western literary canon, it is new and unexplored territory for social scientists at business schools—to describe artworks for people who who are blind to economic concepts and ideas, helping them see what they did not see before

    Economic Ekphrasis: Goldin+Senneby and Art for Business Education is part of the SSE Art Initiative series Experiments in Art and Capitalism.

    Contributors

    Maria Lind, Marie-Louise Fendin, Örjan Sjöberg, Ismail Ertürk, Anastasia Seregina, Jonas Hassen Khemiri, Pamela Schultz Nybacka, Emma Stenström, Katie Kitamura, Clare Birchall, Brian Kuan Wood

    • Paperback $19.95
  • Artful Objects

    Artful Objects

    Graham Harman on Art and the Business of Speculative Realism

    Graham Harman, Isak Nilson, and Erik Wikberg

    A lecture by the originator of object-oriented philosophy, delivered on the occasion of the Sculpture after Sculpture exhibition at Moderna Museet, Stockholm.

    Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy. This book includes Harman's lecture “What Is an Object?” delivered at Moderna Museet in Stockholm, on the occasion of the exhibition Sculpture after Sculpture, with Jeff Koons, Charles Ray, and Katharina Fritsch—artists who have expanded the notion of the object in art and society at large.

    In his lecture, Harman gives a thorough exposition of the object from an ontological standpoint and puts forward a concept of the object that goes beyond reductionist orientations. He declares a philosophical approach bringing philosophy and the arts closely together, where objects are impenetrable to direct knowledge and paraphrase and instead must be approached obliquely and indirectly. The publication also includes a symposium in which thirteen questions to Harman—in relation to the thirteen sculptures of the show—that were posed about the implications of object-oriented philosophy for art, business administration, and philosophy.

    Contributors

    Graham Harman, Daniel Birnbaum, Lars Strannegård, Sven-Olov Wallenstein, Pierre Guillet de Monthoux, Marcia Cavalcante, Jo Widoff, Sigrid Sandström, Michael Dahlén, Emma Stenström, Jenny Lanz, Ebba Sjögren, Isak Nilson, Erik Wikberg

    Copublished with the Stockholm School of Economics

    • Paperback $19.95