Gabriel Orozco

Gabriel Orozco is an internationally renowned contemporary artist. He has had solo exhibitions at venues including Musée d'art moderne de la Ville Paris, the Serpentine Gallery in London, and the Guggenheim in New York. Traveling retrospectives have been presented at Kunsthalle Zürich; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Centre Pompidou, Paris; the Tate Modern, London; and elsewhere. He has participated in the Venice Biennale (1993, 2003, 2005), the Whitney Biennial (1997), and Documenta X (1997) and XI (2002).

  • Written Matter

    Written Matter

    Gabriel Orozco

    Selections from Gabriel Orozco's notebooks: sketches, photographs, and texts that offer a rare look inside his art-making process.

    Written Matter presents selections from the notebooks of the prolific and celebrated artist Gabriel Orozco. These texts, sketches, and images from notebooks spanning 1992 to 2012 offer insights into Orozco's artmaking process, revealing his thinking, methods, and rationales. The texts, translated from the original handwritten Spanish, offer personal truisms, compelling insights, observations, and notes on process and method, forming a subterranean stream that runs parallel to his artwork. “Art is the opposite of spectacle,” he writes. “Art does not try to convince anyone, that's why it's shocking.” The notebooks are fundamental to Orozco's work, serving as a travelogue and personal dictionary that, when consulted, allow him to resume the trajectory of his thought anywhere. Because Orozco chooses not to work in a studio, his notebooks act as a different kind of studio space, on paper and bound between covers.

    Orozco works in a variety of media—drawing, installation, photography, sculpture, video. His notebooks reveal and revel in the style and substance of his art.

    Profusely illustrated and designed under Orozco's art direction, Written Matter offers an unusually intimate look at an artist's process and practice.

    • Paperback $39.95

Contributor

  • Situation

    Situation

    Claire Doherty

    Key texts on the notion of “situation” in art and theory that consider site, place, and context, temporary interventions, remedial actions, place-making, and public space.

    Situation—a unique set of conditions produced in both space and time and ranging across material, social, political, and economic relations—has become a key concept in twenty-first-century art. Rooted in artistic practices of the 1960s and 1970s, the idea of situation has evolved and transcended these in the current context of globalization. This anthology offers key writings on areas of art practice and theory related to situation, including notions of the site specific, the artist as ethnographer or fieldworker, the relation between action and public space, the meaning of place and locality, and the crucial role of the curator in recent situation specific art.

    In North America and Europe, the site-specific is often viewed in terms of resistance to art's commoditization, while elsewhere situation-specific practices have defied institutions of authority. The contributors discuss these recent tendencies in the context of proliferating international biennial exhibitions, curatorial place-bound projects, and strategies by which artists increasingly unsettle the definition and legitimation of situation-based art.

    Artists SurveyedVito Acconci, Allora & Calzadilla, Francis Alÿs, Carl Andre, Artist Placement Group, Michael Asher, Amy Balkin, Ursula Biemann, Bik Van der Pol, Daniel Buren, Victor Burgin, Janet Cardiff, Center for Land Use Interpretation, Adam Chodzko, Collective Actions, Tacita Dean, Elmgreen & Dragset, Andrea Fraser, Hamish Fulton, Dan Graham, Liam Gillick, Renée Green, Group Material, Douglas Huebler, Bethan Huws, Pierre Huyghe, Robert Irwin, Emily Jacir, Ilya Kabakov, Leopold Kessler, Július Koller, Langlands & Bell, Ligna, Richard Long, Gordon Matta-Clark, Graeme Miller, Jonathan Monk, Robert Morris, Gabriel Orozco, Walid Ra'ad, Raqs Media Collective, Paul Rooney, Martha Rosler, Allen Ruppersberg, Richard Serra, Situationist International, Tony Smith, Robert Smithson, Vivan Sundaram, Rirkrit Tiravanija, Lawrence Weiner, Rachel Whiteread, Krzysztof Wodiczko, Qiu Zhijie

    Writers Arjun Appaduri, Marc Augé, Wim Beeren, Josephine Berry Slater, Daniel Birnbaum, Ava Bromberg, Susan Buck-Morss, Michel de Certeau, Douglas Crimp, Gilles Deleuze, T. J. Demos, Rosalyn Deutsche, Thierry de Duve, Charles Esche, Graeme Evans, Patricia Falguières, Marina Fokidis, Hal Foster, Hou Hanrou, Brian Holmes, Mary Jane Jacob, Vasif Kortun, Miwon Kwon, Lu Jie, Doreen Massey, James Meyer, Ivo Mesquita, Brian O'Doherty, Craig Owens, Irit Rogoff, Peter Weibel

    • Paperback $24.95
  • Gabriel Orozco

    Gabriel Orozco

    Yve-Alain Bois

    A collection of writings on a conceptual and installation artist who has been called “one of the most important artists of the decade.”

    Gabriel Orozco's work is sometimes considered uncategorizable; but his sculpture, photography, drawing, collage, and installations are unified by their devotion to the antispectacular, to the everyday, and to the explorations of complexities that are not immediately obvious. Orozco (born in Mexico in 1962) pays meticulous attention to what he calls the “liquidity of things” as seen in mundane and evanescent objects and elements of everyday life—the momentary fog upon a polished piano top, a deflated football, tins of cat food balanced on watermelons, light through leaves, the screech of a tire, chess pieces on a chessboard. “People forget that I want to disappoint,” he has said. “I use that word deliberately. I want to disappoint the expectations of the one who waits to be amazed. When you make a decision someone is going to be disappointed because they think they know you. It is only then that the poetic can happen.” This collection of critical writings on Orozco includes two interviews with the artist and a lecture by him (this last published here for the first time in English) as well as essays by such prominent critics as Benjamin H. D. Buchloh, Briony Fer, Molly Nesbit, and the editor of the volume, Yve-Alain Bois. It serves both as the summation of critical thinking on Orozco's work up to now and as a starting point for future consideration.

    ContentsBenjamin H.D. Buchloh, Refuse and Refuge (1993) • Jean Fisher, The Sleep of Wakefulness: Gabriel Orozco (1993) • Benjamin H.D. Buchloh, Gabriel Orozco: The Sculpture of Everyday Life (1996) • Guy Brett, Between Work and World: Gabriel Orozco (1993) • Molly Nesbit, The Tempest (2000) • Gabriel Orozco Lecture (2001) • Gabriel Orozco. In Conversation with Benjamin H. D. Buchloh (2004) • Briony Fer, Spirograph: The Circular Ruins of Drawing (2004) • Benjamin H. D. Buchloh, Cosmic Reifications: Gabriel Orozco's Photographs (2004) • Gabriel Orozco and Briony Fer, Crazy about Saturn: Interview (2006)

    • Hardcover $8.75
    • Paperback $22.00
  • The Everyday

    The Everyday

    Stephen Johnstone

    Writings on the “turn to the ordinary” in contemporary art examine the various ways artists have engaged with the everyday since 1945.

    Numerous international exhibitions and biennials have borne witness to the range of contemporary art engaged with the everyday and its antecedents in the work of Surrealists, Situationists, the Fluxus group, and conceptual and feminist artists of the 1960s and 1970s. This art shows a recognition of ordinary dignity or the accidentally miraculous, an engagement with a new kind of anthropology, an immersion in the pleasures of popular culture, or a meditation on what happens when nothing happens. The celebration of the everyday has oppositional and dissident overtones, offering a voice to the silenced and proposing possibilities for change. This collection of writings by artists, theorists, and critics assembles for the first time a comprehensive anthology on the everyday in the world of contemporary art.

    Artists surveyed includeChantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen Ruppersberg, Daniel Spoerri, Wolfgang Tillmans, Mierle Laderman Ukeles, Andy Warhol, Richard Wentworth, Stephen Willats.

    Writers includePaul Auster, Maurice Blanchot, Geoff Dyer, Hal Foster, Suzy Gablik, Ben Highmore, Henri Lefebvre, Lucy R. Lippard, Michel Maffesoli, Ivone Margulies, Helen Molesworth, Nikos Papastergiadis, Georges Perec, John Roberts, David Ross, Nicholas Serota, Michael Sheringham, Alison and Peter Smithson, Abigail Solomon-Godeau, Jeff Wall, Jonathan Watkins.

    • Paperback $24.95