Victoria joined the MIT Press in 2016 after working in publishing and the arts for two decades in both the USA and Europe. She acquires work in visual culture and design, building upon and expanding the Press’s commitment to progressive discourse and the Institute’s groundbreaking work in visual studies. Interested as much in transformative scholarship as in the ways that visual culture and design impact our daily lives, she looks for work that is rigorous, accessible, nuanced, and visually compelling. She is particularly interested in global discourses that are politically-engaged, culturally informed, and which center underrepresented perspectives and understudied questions.
Victoria can be reached at email@example.com.
Selected published and forthcoming titles include:
A Black Gaze by Tina M. Campt; Radical Virtuosity: Ana Mendieta and the Black Atlantic by Genevieve Hyacinthe; Architecture, Activism, and Spatial Justice by Dana Cuff; Design after Capitalism by Matthew Wizinsky; Autotheory as Feminist Practice in Art, Writing, and Criticism by Lauren Fournier; Design to Live: Everyday Inventions from a Refugee Camp, edited by Azra Aksamija, Raafat Majzoub and Melina Philippou; Visual Culture by Alexis Boylan; Gender(s) by Kathryn Bond Stockton; Butch Heroes by Ria Brodell; Designing Motherhood by Michelle Fisher and Amber Winick with foreword by Alexandra Lange and prologue by Erica Chidi; Turks, Jews, and Other Germans in Contemporary Art by Peter Chametzky; Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics by Elizabeth Otto; Face: A Visual History by Jessica Helfand; Plastic Capitalism: Contemporary Art and the Drive to Waste by Amanda Boetzkes; Aesthetics Equals Politics: New Discourses Across Art, Architecture, and Philosophy edited by Mark Foster Gage, interview with Jacques Rancière; Former West: Art and the Contemporary after 1989 edited by Maria Hlavajova and Simon Sheikh (with BAK, the Netherlands); Critical Care: Architecture and Urbanism for a Broken Planet, Angelika Fitz, Elke Krasny, and the Architekturzentrum Wien; and Propaganda Art in the 21st Century by Jonas Staal.